191 results where found for «Calle Irán Nº 3037 /img/logocantos.jpg»


You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« I can't quite remember - was it perhaps Luis Corvalán? At any rate, one of the miscreants, as we called The Hierarchy of the UP, who were separated from us in the concentration camp but were allowed to take part in the cultural activities, was the person who presented us with the award: a medal made from a coin and displaying a seagull, Ritoque's Seagull. »
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Alfonsina and the Sea (Alfonsina y el mar)

Music piece by:
Félix Luna (lyrics) and Ariel Ramírez (music). Popularised by Mercedes Sosa.
Testimony by:
Sergio Vesely
Experience in:
Villa Grimaldi, January 1975
« It was not easy to endure being locked up in one of Villa Grimaldis miserable cells, which resembled vertical coffins. It was even harder in the high temperatures of the summer months of the Andes foothills in Peñalolén. I was inside one of those cells, blindfolded, my feet and hands in chains. »
[...]
« One day it occurred to me to sing a beautiful song I had heard and learned by heart a short time before my arrest, at one of the safe houses that hid me from my persecutors. The song was called 'Alfonsina y el mar'. »
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Caliche

Music piece by:
Calatambo Albarracín
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, December 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, arranged this song called "Caliche". It was sung several times during the Saturday shows at the Chacabuco concentration camp. At the farewell concert for Angel, Alberto Corvalán recorded it on cassette, and a subsequent LP was produced from that cassette. »
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Anthem of Puchuncaví (Himno de Puchuncaví)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« A few weeks before being transferred to Valparaíso Jail - where I would face a war council on account of alleged violations of the State Interior Security Law and other military regulations that existed during the state of siege - I wrote a song that I called anthem, because I wanted it to be sung as a group at the end of our cultural events on Fridays. »
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Coplas of El Yopo (Coplas de El Yopo)

Music piece by:
Unknown. Traditional Venezuelan song. Popularised in Chile by Isabel and Ángel Parra
Testimony by:
Carlos Muñoz
Experience in:
« A comrade whose last name was Saavedra (if I recall correctly) sung this song passionately. This song earned him the nickname of <n>El Yopo (also Chopo)</n>(1), as is usual in popular culture. »
[...]
« The song was well-known in Chile, as sung by Ángel and Isabel Parra, who called it 'Décimas del folklore venezolano' or 'Coplas Venezolanas'. It was one of the most popular songs in prison and was performed at many of our musical events. It was also sung at Ritoque and Puchuncaví. »
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They Say the Homeland Is (Dicen que la patria es)

Music piece by:
Chicho Sánchez Ferlosio
Testimony by:
Sergio Reyes Soto
Experience in:
« This song, like so many others, was not at all captive. The revolutionary songs we sang behind bars imbued us with a sense of freedom. <n>Rolando Alarcón</n>(1), and later <n>Quilapayún</n>(2), introduced Dicen que la patria es (or Canción de soldados) to Chile. »
[...]
« I sang this song often because it accurately described our situation. The words plead to soldiers not to fire against their own people. Rarely did this occur in Chile, but we shared our prisoners’ barracks, called Remo, with three members of the Air Force. »
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Captain, our Destiny is a Wandering Island (Capitán, el rumbo es una isla errante)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« This song was dedicated to Óscar Castro, whom I was lucky enough to meet in 1975, in Puchuncaví. With his experience in theatre – Óscar was already a fairly well-known actor before his arrest – he threw himself into the cultural work we had organised, in what was then called “Camp Melinka” where the prisoners presented a show every Friday. »
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Three Indian Songs (Tres canciones indias)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« After our transfer from Tres Álamos to Puchuncaví in April 1975, a group of prisoners began toying with the idea of presenting a poetic-theatrical performance about the history of Latin Americas indigenous cultures and their extermination under Iberian domination. »
[...]
« This composition combines three indigenous songs in a single song. It came to me during the process of creating that great work, which we called 'I Sing to the Americas'. Only parts of the song were included in the programme that evening. »
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Go Tell It to the Rain (Ve y díselo a la lluvia)

Music piece by:
Clan 91
Testimony by:
Eduardo Ojeda
« We had a comrade who sang beautifully. He was called Peye and was a student at the State Technical University. »
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Prayer So You Don't Forget Me (Oración para que no me olvides)

Music piece by:
Óscar Castro (words) and Ariel Arancibia González (music)
Testimony by:
Rosalía Martínez
Experience in:
« When Katia Chornik contacted me a few years ago asking me to provide my testimony about my musical experience in prison, I thought I didnt have much to say. »
[...]
« I had spent most of my detention held by the DINA, at the house on José Domingo Cañas Street, called the Ollagüe Barracks. Then, I was held in solitary confinement at Cuatro Álamos and spent just a month in the Tres Álamos concentration camp. »
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